Dane Mitchell
Post Hoc, 2019/2020
installation view: Christchurch Art Gallery Te Puna o Waiwhetū
Dane Mitchell
Post Hoc, 2019/2020
installation view: Christchurch Art Gallery Te Puna o Waiwhetū
Dane Mitchell
Post Hoc, 2019/2020
installation view: Christchurch Art Gallery Te Puna o Waiwhetū
Dane Mitchell
Post Hoc, 2019/2020
installation view: Christchurch Art Gallery Te Puna o Waiwhetū
Dane Mitchell
Post hoc, 2019/2020
installation view: KölnSkulptur #10, Skulpturenpark Köln, Cologne, Germany
Dane Mitchell
Post hoc, 2019/2020
installation view: KölnSkulptur #10, Skulpturenpark Köln, Cologne, Germany
Dane Mitchell
Meanwhere, 2020
installation view: Mossman, Wellington
photo: Harry Culy
Dane Mitchell
Meanwhere 9, 2020
digital c-type print
2300 x 1270mm
ed 2 + 1AP
Dane Mitchell
Meanwhere 10, 2020
digital c-type print
2300 x 1270mm
ed 2 + 1AP
Dane Mitchell
Letters and Documents, curated by Christina Barton
installation view: Adam Art Gallery Te Pātaka Toi, Wellington
Photo: Ted Whitaker
Dane Mitchell
Post Hoc Relic, 2019 (detail)
printed paper rolls, canvas and metal strap
dimensions variable
installation view: Letters and Documents, Adam Art Gallery Te Pātaka Toi, Wellington
Photo: Ted Whitaker
Dane Mitchell & Tim Checkley
Artspace Totem, 1999
timber and paint, found object
750 x 690 x 620mm
installation view: Letters and Documents, Adam Art Gallery Te Pātaka Toi, Wellington
Photo: Ted Whitaker
Dane Mitchell
Recent Acquisitions, 2002
shredded paper in five cardboard boxes
boxes each: 464 x 465 x 360mm
installation view: Letters and Documents, Adam Art Gallery Te Pātaka Toi, Wellington
Photo: Ted Whitaker
Dane Mitchell
Recent Acquisitions, 2002
framed document (reassembled from shredded printed paper)
frame: 353 x 258mm
installation view: Letters and Documents, Adam Art Gallery Te Pātaka Toi, Wellington
Photo: Ted Whitaker
Dane Mitchell
Post hoc, 2019
installation view: Palazzina Canonica
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation view: Palazzina Canonica
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation view: Palazzina Canonica
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation detail: Palazzina Canonica
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation detail: Palazzina Canonica
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation view: Palazzina Canonica
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation view: Palazzina Canonica
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation detail: Palazzina Canonica
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation view: Parco Rimembranze, Sant’Elena
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation view: Ospedale Civile di Venezia
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation view: Università Iuav di Venezia
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Post hoc, 2019
installation view: Arsenale di Venezia
58th International Art Exhibition – La Biennale di Venezia, Venice
photo: David Straight
Dane Mitchell
Dust Archive, 2019
installation view: Quay Building, Auckland
Dane Mitchell
Dust Archive (National Gallery of Victoria), 2003-2019
archival inkjet print on dibond
800 x 800mm
ed. 3 + 1AP
Dane Mitchell
Dust Archive, 2019
installation view: Quay Building, Auckland
Dane Mitchell
Tuning, 2018
brass, plated aluminium, Perspex, electronics, radio transmitter, coaxial cable
3410mm x 8300mm
installation view: Hopkinson Mossman, Wellington
Dane Mitchell
Tuning, 2018
brass, plated aluminium, Perspex, electronics, radio transmitter, coaxial cable
3410mm x 8300mm
installation view: Hopkinson Mossman, Wellington
Dane Mitchell
Tuning (detail), 2018
brass, plated aluminium, Perspex, electronics, radio transmitter, coaxial cable
3410mm x 8300mm
Dane Mitchell
Iris, Iris, Iris, 2017
installation view: Mori Art Museum, Tokyo
Dane Mitchell
Iris, Iris, Iris (2), 2017
liquid perfume, glass, concrete, brass, magnetic stirrer
400 x 1500 x 1500mm approx.
installation view: Mori Art Museum, Tokyo
Dane Mitchell
Iris, Iris, Iris (5), 2017
incense
550 elements, 750 x 18 x 18mm each approx.
installation view: Mori Art Museum, Tokyo
Dane Mitchell
Iris, Iris, Iris (1), 2017
glass, concrete, brass, Olympus camera lens, Janome umbrella, Aromascope-ampoules, tubing, pumps, clamps, iris flower
3000 x 3000 x 1000mm approx.
installation view: Mori Art Museum, Tokyo
Dane Mitchell
Iris, Iris, Iris (1) (detail), 2017
glass, concrete, brass, Olympus camera lens, Janome umbrella, Aromascope-ampoules, tubing, pumps, clamps, iris flower
3000 x 3000 x 1000mm approx.
Dane Mitchell
Iris, Iris, Iris (1) (detail), 2017
glass, concrete, brass, Olympus camera lens, Janome umbrella, Aromascope-ampoules, tubing, pumps, clamps, iris flower
3000 x 3000 x 1000mm approx.
Dane Mitchell
Iris, Iris, Iris (1) (detail), 2017
glass, concrete, brass, Olympus camera lens, Janome umbrella, Aromascope-ampoules, tubing, pumps, clamps, iris flower
3000 x 3000 x 1000mm approx.
Dane Mitchell
Remedies for Remembering (Al) and Forgetting (NaCl), 2016
homeopathic remedy, bulk liquid containers, spray pumps
installation view: Art Gallery of New South Wales, Sydney Biennale
Dane Mitchell
Remedies for Remembering (Al) and Forgetting (NaCl), 2016
homeopathic remedy, bulk liquid containers, spray pumps
installation view: Art Gallery of New South Wales, Sydney Biennale
Dane Mitchell
Remedies for Remembering (Al) and Forgetting (NaCl), 2016
homeopathic remedy, bulk liquid containers, spray pumps
installation view: Art Gallery of New South Wales, Sydney Biennale
Dane Mitchell
Remedy for Agoraphobia, Ataxia, Anxiety (AgNO3), 2016
homeopathic remedy, bulk liquid containers, ultrasonic vaporiser, water pumps, fittings
installation view: Royal Botanic Gardens, Sydney Biennale
Dane Mitchell
Remedy for Agoraphobia, Ataxia, Anxiety (AgNO3), 2016
homeopathic remedy, bulk liquid containers, ultrasonic vaporiser, water pumps, fittings
installation view: Royal Botanic Gardens, Sydney Biennale
Dane Mitchell
Aeromancy, 2017
installation view: Hopkinson Mossman, Auckland
Dane Mitchell
Sketches of Meteorological Phenomena, 2017
sand, glass
multiple elements, installation dimensions vary
Dane Mitchell
Sketches of Meteorological Phenomena (detail), 2017
sand, glass
multiple elements, installation dimensions vary
Dane Mitchell
Dust Archive (Stedelijk Museum), 2007
archival inkjet print on dibond
800 x 800mm
Dane Mitchell
All Whatness is Wetness, 2015
installation view: RabervonStenglin, Zurich
Dane Mitchell
All Whatness Is Wetness I, Meander Homeopathic Vaporous Object, 2015
ultrasonic humidifier, homeopathic remedy, pump
280 x 330 x 220mm
installation view: RabervonStenglin, Zurich
Dane Mitchell
Meander Collection, 2015
c-print
250 x 380mm
edition of 3
Dane Mitchell
Other Explications, 2013
installation view: Hopkinson Mossman, Auckland
Dane Mitchell
Hypnosis Venn, 2013
brass
1070 x 1900mm overall
Dane Mitchell
Hypnosis Venn (detail), 2013
brass
1070 x 1900mm overall
Dane Mitchell
The Smell of an Empty Space Perfume Plume (Solid), 2011
perfume, unfixed photographic paper, frame
seven elements, 482 x 380mm each
installation view: Radiant Matter III, Artspace, Auckland
Dane Mitchell
The Smell of an Empty Space (Vaporised), 2011
perfume, venturi vaporiser, glass, air pump, fan, pine, mirror
312 x 478 x 282mm
installation view: Radiant Matter III, Artspace, Auckland
Dane Mitchell
The Smell of an Empty Space (Liquid), 2011
perfume, mirror, glass, g-clamps
445 x 2450 x 1350mm overall
installation view: Radiant Matter III, Artspace, Auckland
Dane Mitchell
Weight of the World, 2014
scale
450 x 350 x 400mm