Milli Jannides Sympathy Activity

Milli Jannides
Sympathy Activity, 2020
installation view: Mossman, Wellington

Milli Jannides
Freedom of a Different Sort, 2019
oil on canvas
2000 x 1500mm

Milli Jannides
Untitled, 2019
acrylic, watercolour and ink on paper
370 x 285mm

Milli Jannides
Morning, Noon and Night, 2019
oil on linen
240 x 190mm

Milli Jannides
Substantial Accidental, 2019
oil on linen
920 x 645mm

Milli Jannides
Sympathy Activity, 2020
installation view: Mossman, Wellington

Milli Jannides
Intervals, 2019
oil on linen
400 x 300mm

Milli Jannides
Made by Men, 2019
oil on canvas
1200 x 1495mm

Milli Jannides
Beatific, 2019
oil on linen
300 x 400mm

Milli Jannides
Sympathy Activity, 2020
installation view: Mossman, Wellington

Milli Jannides
Mythical Thought Making, 2019
oil on canvas
2000 x 1595mm

Milli Jannides
Southern Night, 2019
oil on canvas
190 x 273mm

Milli Jannides
Sympathy Activity, 2020
installation view: Mossman, Wellington

Milli Jannides
Look Out, 2019
oil on canvas
895 x 965mm

Milli Jannides
Easy Easy, 2019
oil on canvas
1200 x 795mm

Milli Jannides
Sympathy Activity, 2020
installation view: Mossman, Wellington

Milli Jannides
Always Another, 2019
oil on canvas
180 x 240mm

Milli Jannides
Upon, 2019
oil on canvas
920 x 1160mm

Milli Jannides
What the Willow Feels, 2019
oil on canvas
240 x 190mm
Mossman is pleased to present Sympathy Activity, a solo exhibition of recent paintings by Milli Jannides.
In this new body of work impressions of habitable terrains appear (albeit otherworldly or abstracted), only to dissipate; old forms (faces, frames, matrix-like structures, landscapes, still life) return, infiltrating or inhabiting as though camouflaging to the new environment. Populated by gestural roundabouts (from thick impasto to swathes of watery marks) and incomplete synthesis (circle forms; colours; erasure), and punctuated by moments of lucidity, even elation, the paintings are responsive, varied, uneven, as changeable as the artist’s shifting thoughts or mood within the studio.
In this exhibition Jannides offers the medium at its most tactile, most imaginative, as she works counter-intuitively to relinquish her natural process of problem-solving and path-finding, prioritising instead the physicality of making. The resultant paintings feel loose and raw, yet equally grounded in a cerebral vision, that of invention as a generative action.
Milli Jannides (1986, Sydney) graduated from Auckland’s Elam School of Fine Arts in 2009. She has studied at Glasgow School of Art (2007), Kunstakademie Dusseldorf (2010), and in 2013 completed her MFA at Royal College of the Arts in London. Since graduating from the Royal College she has based her studio in Europe, and undertaken two residencies in Mexico City in 2014 and 2015. Sympathy Activity presents new work made in Porto, Portugal, where Jannides is currently based.
Recent exhibitions include: Cavewoman, Hopkinson Mossman, Wellington (2019); Frottage Cottage, Hopkinson Mossman, Auckland (2017); The Company of Volcanoes, Hopkinson Mossman, Auckland (2016); Painting: A Transitive Space, St. Paul St Gallery, AUT, Auckland (2016); Necessary Distraction: A Painting Show, Auckland Art Gallery Toi o Tamaki (2015); Sound Bow (with Ruth Buchanan), Johan Berggren, Malmo (2014); and As the light dips, Hopkinson Mossman, Auckland (2014).
Photo credits: Harry Culy