Renee So
Transparent Things , 2020
installation view: Goldsmiths Centre for Contemporary Art, London
Photo: Mark Blower
Renee So
Transparent Things , 2020
installation view: Goldsmiths Centre for Contemporary Art, London
Photo: Mark Blower
Renee So
Transparent Things , 2020
installation view: Goldsmiths Centre for Contemporary Art, London
Photo: Mark Blower
Renee So
Transparent Things , 2020
installation view: Goldsmiths Centre for Contemporary Art, London
Photo: Mark Blower
Renee So
Figurines, 2020
installation view: Mossman, Wellington
Renee So
Venus of Valdivia II, 2020
glazed ceramic
670 x 575mm
Renee So
Woman IV, 2018
stoneware
450 x 230 x 200mm
Renee So
Ancient & Modern, 2019
installation view: De La Warr Pavilion, Bexhill on Sea
Renee So
Ancient & Modern, 2019
installation view: De La Warr Pavilion, Bexhill on Sea
Renee So
Learn to Weave, 2019
glazed ceramic, acrylic and oil paint, oak frame
940 x 1270mm
Renee So
Flow State, 2019
glazed ceramic, aluminium frame
1700 x 2840mm
Renee So
Boot Leg, 2019
530 x 400 x 3090mm
installation detail: De La Warr Pavilion, Bexhill on Sea
Renee So
Abstract Composition, 2019
Handwoven cotton, oak frame
720 x 900mm
Renee So
Unknown Woman, 2019
glazed ceramic
800 x 600 x 600mm
installation detail: De La Warr Pavilion, Bexhill on Sea
Renee So
Venus of Valdivia, 2019
glazed ceramic
1250 x 1450mm
Renee So
Woven Past, 2019
handwoven wool, lining
3100 x 1850mm
Reflections of a Reclining Male, 2019
intarsia-knitted cotton and synthetic fibre, oak frame
1100 x 1100mm
installation detail: De La Warr Pavilion, Bexhill on Sea
Renee So
Woman I, 2017
stoneware
460 x 290 x 200mm
Renee So
Bellarmines and Bootlegs, 2019
installation view: Henry Moore Institute, Leeds
photo: Robert Glowacki
Renee So
Bellarmines and Bootlegs, 2019
installation view: Henry Moore Institute, Leeds
Renee So
Bellarmines and Bootlegs, 2019
installation view: Henry Moore Institute, Leeds
photo: Robert Glowacki
Renee So
Bellarmines and Bootlegs, 2019
installation view: Henry Moore Institute, Leeds
Renee So
Bellarmines and Bootlegs, 2019
installation view: Henry Moore Institute, Leeds
photo: Robert Glowacki
Renee So
Man & Dog III, 2019
glazed ceramic mounted on board, oil paint, aluminium frame
1200 x 900mm
Renee So
Bellarmines and Bootlegs, 2019
installation view: Henry Moore Institute, Leeds
photo: Robert Glowacki
Renee So
Boots II, 2016
knitted linen and synthetic fibres
1800 x 1200mm
Renee So
installation view: Kate McGarry, London (2016)
Renee So
installation view: Kate McGarry, London (2016)
Renee So
Blue Eyes, 2017
knitted acrylic yarn
825 x 600 x 45mm
Renee So
Medallion 2, 2016
glazed ceramic, oil paint
320 x 320 x 30mm
Renee So
Legs, 2015
knitted acrylic and wool
1300 x 1900 mm
Renee So
Spritz, 2016
ceramic, glaze
520 x 300 x 300mm
Renee So
Bellarmine XIII, 2015
ceramic, glaze
220 x 360 x 140 mm
Renee So
FRAGILE, 2015
knitted acrylic and wool
1800 x 1200 mm
Renee So
Bellarmine XIV, 2015
ceramic, glaze
330 x 400 x 150 mm
Renee So
Flautist, 2011
wool (intarsia knitting), custom frame
2040 x 1040mm