Oscar Enberg
Bouquet Garni et Croissance, 2019
antique blown glass, lead, oil paint
770 x 695mm
Oscar Enberg
Death of a Housewife, 2019
installation view: Stadium, Berlin
Oscar Enberg
besides the amputation of the legs and the head, the main bones will have been removed (detail), 2019
carved and turned linden, stain, oil, wax, jesmonite, blown glass, animal hair broom head, cast epoxy resin, Damascus steel and true bone knife
dimensions variable
Oscar Enberg
tender as Miss Volnais, succulent, and well mortified (made tender by hanging, beating), 2019
carved and turned linden, stain, oil, wax, blown glass, animal hair broom head
2190 x 420 x 240mm
Oscar Enberg
tender as Miss Volnais, succulent, and well mortified (made tender by hanging, beating) (detail), 2019
carved and turned linden, stain, oil, wax, blown glass, animal hair broom head
2190 x 420 x 240mm
Oscar Enberg
white and fat as Miss Arsène, 2019
carved and turned linden, wax, stain, oil, gold leaf, dyed cotton, sleigh bells, blown glass, animal hair broom head
2080 x 410 x 280mm
Oscar Enberg
obedient ewe with golden fleece (detail), 2019
cast pigmented epoxy resin, dried pasta, Damascus steel, true bone
1400 x 1300 x 280mm
Oscar Enberg
obedient ewe with golden fleece, 2019
cast pigmented epoxy resin, dried pasta, Damascus steel, true bone
1400 x 1300 x 280mm
Oscar Enberg
When the cream cannot be churned into butter, and is bewitched, one should take it from the churn, boil it and chop it with knives and swords. The witch will then come to borrow something. If you don't lend, the spell is broken, 2017-18
maple, ebony, bocote, sterling silver and goat horn, cast pigmented epoxy resin, Land O Lakes milk crate
1400 x 400 x 400mm overall
Oscar Enberg
When the cream cannot be churned into butter, and is bewitched, one should take it from the churn, boil it and chop it with knives and swords. The witch will then come to borrow something. If you don't lend, the spell is broken, 2017-18
maple, ebony, bocote, sterling silver and goat horn, cast pigmented epoxy resin, Land O Lakes milk crate
1400 x 400 x 400mm overall
Oscar Enberg
'Family of Man'. The fall of man, 2018
enamel and charcoal on cast fibrous plaster, painted was stained Linden, digital prints on card, string, iron nails
1900 x 1700 x 250mm
Oscar Enberg
'Family of Man'. The fall of man (detail), 2018
enamel and charcoal on cast fibrous plaster, painted was stained Linden, digital prints on card, string, iron nails
1900 x 1700 x 250mm
Oscar Enberg
Taste & Power, a prologue, 2018
installation view: Hopkinson Mossman, Auckland
Oscar Enberg
domestic hygiene or the contented cuckold, 2018
Damascus steel, deer antler, sterling silver fixtures, stain and handmade lace
310 x 250 x 80mm
Oscar Enberg
table d’hôte or Soldier with Whore and a contented cuckold in the new fashion (laid bare), 2017
prepared lithographic limestone from Solnhofen, hand woven willow, cast pigmented epoxy, clock, mirror polished stainless steel, horn mouthpieces, stained and oiled oak and ash, upholstery springs, horse hair, wool felt, walking cane (maple, ebony, bocote, sterling silver and goat horn) clock parts, accordion bellows, knitted Dundaga wool socks, upholstered linen, cotton, with artworks by Milli Jannides and Thierry de Cordier
dimensions vary
installation view: ars viva, S.M.A.K., Gent
Oscar Enberg
imperial bric-a-brac (Rushton mimic and Anri mimic), 2018
acrylic and enamel on cast epoxy resin, assorted fabrics, sheep wool and horsehair filling, vinyl, felt and cowry shell waistcoat, ribbon, safety pin, painted and stained carved linden, brass, steel.
2000 x 1000 x 54mm approx. overall
installation view: ars viva, S.M.A.K., Gent
Oscar Enberg
Irrational Exuberance, 2017
ebony, saltwater crocodile teeth, Coober Pedy opal, sterling silver, stainless steel
200 x 120 x 20mm approx. overall
Oscar Enberg
Die Phantasie, 2017
patinated and polished cast bronze, handmade single bobbin three cup Bruges lace bra, wenge, zebrano, zebra stone, brass
1700 x 1400 x 550mm approx.
installation view: ars viva, Kunstverein Munchen, Munich
Oscar Enberg
Die Phantasie (detail), 2017
patinated and polished cast bronze, handmade single bobbin three cup Bruges lace bra, wenge, zebrano, zebra stone, brass
1700 x 1400 x 550mm approx.
installation view: ars viva, Kunstverein Munchen, Munich
Oscar Enberg
table d’hôte or Soldier with Whore and a contented cuckold in the new fashion, 2017
prepared lithographic limestone from Solnhofen, hand woven willow, cast pigmented epoxy, clock, mirror polished stainless steel, horn mouthpieces, stained and oiled oak and ash, upholstery springs, horse hair, wool felt, walking cane (maple, ebony, bocote, sterling silver and goat horn) clock parts, accordion bellows, knitted Dundaga wool socks, upholstered linen, cotton
dimensions vary
installation view: ars viva, Kunstverein Munchen, Munich
Oscar Enberg
table d’hôte or Soldier with Whore and a contented cuckold in the new fashion, 2017
prepared lithographic limestone from Solnhofen, hand woven willow, cast pigmented epoxy, clock, mirror polished stainless steel, horn mouthpieces, stained and oiled oak and ash, upholstery springs, horse hair, wool felt, walking cane (maple, ebony, bocote, sterling silver and goat horn) clock parts, accordion bellows, knitted Dundaga wool socks, upholstered linen, cotton
dimensions vary
installation view: ars viva, Kunstverein Munchen, Munich
Oscar Enberg
mephistopheles scanning scandals, 2017
saltwater crocodile tooth, ebony, opals, antique ivory, sterling silver and stainless steel
140 x 120 x 25mm overall
Oscar Enberg
Der Amethyst, Die Opale, Die Agamemnon, 2017
maple, bocote, glass, sterling silver, goat horn, brass, enamel, oil and wax on linden, cotton, gold leaf
1940 x 600 x 800mm overall
Oscar Enberg
Der Amethyst, Die Opale, Die Agamemnon (detail), 2017
maple, bocote, glass, sterling silver, goat horn, brass, enamel, oil and wax on linden, cotton, gold leaf
1940 x 600 x 800mm overall
Oscar Enberg
troubles de la croissance (der ursprung des pendels), 2016
patinated bronze, Black Forest cuckoo clocks, blackened steel rod, rusted copper flue, glazed terracotta, aluminium turbine ventilator, cement render over cement board structure
300 x 1000 x 100cm approx. overall
Oscar Enberg
Jonkort, 2016
antique ivory, ebony and stainless steel
120 x 120 x 20mm
Oscar Enberg
Cut No. 10 or According to the laws of chance, 2015
hand dyed linen tapestry, iron nails, carved swamp kauri, stain, wax, framed archival digital print and ink on paper, passé partout
three elements, 1000 x 600 x 150mm approx. overall
Oscar Enberg
Imagination Dead Imagine (lilt for tenor and Jean Arp electric guitar), 2015
brass, bronze, copper plated, powder coated and rusted steel flue, stainless steel cowl, hand woven willow, wrought iron, custom electric guitar (Fijian kauri, mahogany, rosewood, paua shell veneer)
2000 x 4500 x 1200mm overall
Oscar Enberg
Storyboard for The Sunset, 2013
swamp kauri, oil paint, polyurethane, digital print on aluminium, copper tack
500 x 500 x 100mm